a5c7b9f00b "The Bride" was the deadliest assassin of the Deadly Viper Assassination Squad, until the day she decided to leave the business, assume a new identity, and get married. But it was on the day of her marriage that her old "friends" - O-Ren Ishii, Vernita Green, Budd, and Elle Driver, not to mention her boss, Bill - find her and assassinate the entire ceremony while Bill shoots her in the head, putting her in a coma. Well, Bill and his people should have tried a little harder because, after four years, the Bride has awakened from her coma. And Hell hath no fury like a woman scorned…
The Deadly Viper Assassination Squad consists of five most deadly killers, led by Bill. There is O'Ren-IshiiCottonmouth, Elle DriverCalifornia Mountain Snake, Vernita GreenCopperhead, BuddSidewinder. And there is The Bride, whose name is not spoken, who wanted to quit because she was pregnant. One day, somewhere in the Texas desert, The Bride wanted to marry the love of her life. Then Bill and her former colleagues showed up and killed everyone there. But they did not do a good enough job: The Bride survives, barely, and is in a coma for four years. Her colleagues know this but won't kill her in her sleep, it would just ruin the reputation. One day, The Bride awakens. For her, not a second has consciously passed, and after she realizes all the things that have happened, The Bride decides to take revenge. Bloody revenge. On each single one of those who betrayed her. First on her death list is Cottonmouth, who has become the yakuza boss of Tokyo, Japan, second in line is Copperhead, who chose a more decent lifewell. The Bride sets out to take back what was once hers: Her life.
Before I start my actual review of Kill Bill Vol.1, I have to tell you a little bit about my history with Tarantino.<br/><br/>The first one I saw was Reservoir Dogs. A lot of people say it's packed with references to other movies, but I can only think of two or three off the top of my head. Reservoir Dogs is also my favorite Tarantino movie. Pulp Fiction is obviously packed with loads of film references. That worked though, and I liked it. Jackie Brown came next, which was mostly just a tribute to blaxploitation movies. I liked that too, but less than the others.<br/><br/>But now, with the first installment of Kill Bill, Tarantino's weakness is starting to show: he can't write anything original. I mean, some people take influence from other scenes in films; for instance, the famous mirror scene in Welles' Lady From Shanghai was first seen in Chaplin's The Circus. Obviously, they are not the same scene, although they both take place in a hall of mirrors area. Kill Bill shamelessly lifts other scenes from movies. The most obvious and blatant "reference" is seen when the Bride gets in to the "Pussy Wagon" and starts saying, "Wiggle your big toe." Where did that come from? Why, John Ford's On the Wings of Eagles, of course. Then there's the butchered Morricone spaghetti-western music, a line lifted directly from a Leone movie("…he should have killed ten."), and many other scenes and things lifted from different grindhouse/Japanese action movies. I'm just sick of it. I want to see Tarantino writing his OWN material and stop "paying homage" to other movies.<br/><br/>Ahh, but there are other flaws in the film. A very boring and linear plot doesn't help. Uma Thurman's not a great actress, and many of the characters are very boring. Bill is the only character I really want to see more of in Part 2, considering his mystery. And that he's played by David Carradine.<br/><br/>On the other hand, the action scenes are splendid! They're quite well choreographed, and very exciting. The battle with the Crazy 88s stands out. I was also pleased by the anime sequence(although honk-tastic).<br/><br/>Well, I hope Pt.2 is better… because I was dissapointed.<br/><br/>4/10
Having seen a number of Quentin Tarantino's films, and having<br/><br/>been caught up in the hype surrounding the release of this film, I<br/><br/>may have walked into the cinema with higher expectations than I<br/><br/>should have. Although I was intrigued by the changes in film style (switching<br/><br/>from mono-chromatic to anime to being saturated with color), I<br/><br/>was left with the distinct impression that this level of<br/><br/>experimentation with different techniques was closer to that<br/><br/>expected of a new film student who hasn't yet learnt to stick to a<br/><br/>tried-and-true formula. I hate to have to say it, but I think that any martial art film fan, given<br/><br/>a few weeks worth of film training, a multi-million dollar budget, a<br/><br/>cast of veteran actors and a few thousand litres of fake blood could<br/><br/>have done the same, if not better, a job. If you are looking for an interesting way to spend a couple of hours,<br/><br/>then this film is for you. If you're looking for something as<br/><br/>stimulating"Reservior Dogs" or "Pulp Fiction" then your money<br/><br/>is probably better spent buying on of those two films on DVD.
A hyper-violent, hyper-gory, kung-fu grindhouse flick. And there’s nothing at all wrong with that.
The Bride, two swords, slices off legs of Crazy 88s.<br/><br/>"Banister Fight" by The RZA:
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